my left breast mastectomy
a series of X-ray photos were first taken
at a fairly walking pace
and I read about Wilhelm Konrad Röntgen
engrossed in his experiment and I saw a photo
of his wife, Anna Bertha’s hand skeleton, with
her weird rings visible
on her slender fingerbone
becoming tender in the music
diagnostic X-rays of my insides were clean
but my left breast had to be amputated
at a slow dragging pace I could finally sink
into anaesthesia, with again the assurance
of an excellent prognosis
just a cut under my left breast
a second one above my nipple
the skin being lifted
the breast tissue with the tumour removed
then the cuts closed, one scar left
with a lovely result
— asymmetry stands out aesthetically in art —
and in me were no regrets
about a lost breast
slightly reserved and sensitively thoughtful
I will handle my fragile feelings quietly
listening to Mahler's first symphony
transparent in the division of the orchestration
in the songs of songbirds
I hear seasonal modulation
then here then there by the lake
on branches next to a mountain hut
the brilliant composer composed music
with gold in the mouth
of the bright early morning
a clarinet cuckoos to an English horn
silver flutes
and a shining trumpet
a sparkle of timpani melts snow from the highest peak
and cellos ripplingly convey heart-warming water lines
in the glassy crystal
of the early spring air
a contrabassoon who just wanted to go through life happily
with scared lips around a double reed
in fine tongue articulation
on pages full of notes, she reads
every interpretation in German
and relives it in the sound texture of her uncertain pain
deep in the music manuscript's orchestral
layer upon layer
diminuendo
becoming softer
now very soft
sexually in ice fog
I long ago
disappeared
🦋
© Annora Eksteen, 2004
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